'At'sa no good!
--Chico Marx (another noted fake Italian)

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'At'sa no good!
Please do post some photos!Alkarii wrote: ↑Sat Feb 06, 2021 5:34 pmI'll have to set up something so I can get some decent pictures of them so I can show you what I mean, but what I did was take a light blue green paint called Nihilakh Oxide, which has that heavily oxidized copper color, and put that on the wings, then put more of the appropriate shade over that once it had dried.
Turns out that was damn near perfect, because the Nihilakh was too bright, and I used more than I intended. Now it looks like it's actually made of bronze that maybe sat in the bathroom for a few years, getting exposed to shower mist and steam.
Dave wrote: ↑Fri Feb 05, 2021 9:58 pm
A somewhat similar process can be done when finishing woods. I've played around a bit and have gotten good results using an old traditional method - several coats of a penetrating-then-drying oil (I use pure tung oil), let it dry and cure well, and then surface-finish with a few thin layers of clear shellac. This combination really seems to bring out the "flame" of the wood's grain. Some pieces will show a pronounced chatoyance ("tiger-eye effect") in the grain, with light and dark moving around as you view the wood from different angles. You just don't get the same richness by slapping on a coat of polyurethane and calling it done.
Do you take commissions? That's lovely work! Turned as two pieces of different orientation - shaft and head?Hansontoons wrote: ↑Mon Feb 08, 2021 5:06 pmI use tung oil on the walnut shaft walking sticks I make. Five applications and I call it good. It is amazing how the wood grain comes to life when in sunshine. I've never put any shellac over the tung oil since I figure that after a while if the owner of the stick wants to bring back the "shine" after much use, they just do a little light sanding and then apply a couple coats.
I'll have to give a stick a shellacking to see how it works out. I've also made canes for elders, shellac on those might be a good application.
The photo just doesn't do the finish justice.
So far, I've only made them as gifts.Dave wrote: ↑Mon Feb 08, 2021 6:10 pmDo you take commissions? That's lovely work! Turned as two pieces of different orientation - shaft and head?Hansontoons wrote: ↑Mon Feb 08, 2021 5:06 pmI use tung oil on the walnut shaft walking sticks I make. Five applications and I call it good. It is amazing how the wood grain comes to life when in sunshine. I've never put any shellac over the tung oil since I figure that after a while if the owner of the stick wants to bring back the "shine" after much use, they just do a little light sanding and then apply a couple coats.
I'll have to give a stick a shellacking to see how it works out. I've also made canes for elders, shellac on those might be a good application.
The photo just doesn't do the finish justice.
The times I've used shellac-over-oil it has been for indoor, decorative items... display frames for artworks, turned bowls, and so forth. One of the limitations of tung oil is that (unless you treat it one way or another) you can't get a real gloss finish on the wood - it always has a slightly wrinkled surface and thus a matte appearance.
What I've done amounts to a "French polish" shellac applied over the cured oil - multiple very-thin layers of gloss shellac. It has worked out very nicely.
For a use-item such as those walking sticks I doubt I'd bother - the shellac finish could tend to get scratched up pretty quickly and you'd lose the gloss. Although... maybe go with a shellac gloss on the shaft, and leave the knob or handle as a matte finish. Otherwise, do as you say - leave it matte - it won't lose its appearance quickly and is easy to renew.
I did get a somewhat glossy finish with tung oil once, when I (re)discovered an old trick. if, after you wipe on a coat of it, you put the piece out in hot sunlight for an hour or two, the heat and UV will trigger a quick polymerization and it hardens to a gloss. Pre-polymerized "cooked" tung oil, such as is used in some gunstock oils, does the same thing.
How hard would it be to use an incredibly straight grained wood where a split down the dead center would be pretty much a given? I am thinking in terms of carving space in the middle and creating a sword cane...Hansontoons wrote: ↑Mon Feb 08, 2021 5:06 pmDave wrote: ↑Fri Feb 05, 2021 9:58 pm
A somewhat similar process can be done when finishing woods. I've played around a bit and have gotten good results using an old traditional method - several coats of a penetrating-then-drying oil (I use pure tung oil), let it dry and cure well, and then surface-finish with a few thin layers of clear shellac. This combination really seems to bring out the "flame" of the wood's grain. Some pieces will show a pronounced chatoyance ("tiger-eye effect") in the grain, with light and dark moving around as you view the wood from different angles. You just don't get the same richness by slapping on a coat of polyurethane and calling it done.
I use tung oil on the walnut shaft walking sticks I make. Five applications and I call it good. It is amazing how the wood grain comes to life when in sunshine. I've never put any shellac over the tung oil since I figure that after a while if the owner of the stick wants to bring back the "shine" after much use, they just do a little light sanding and then apply a couple coats.
I'll have to give a stick a shellacking to see how it works out. I've also made canes for elders, shellac on those might be a good application.
The photo just doesn't do the finish justice.
IMG_0848.JPG
A wonderful story! Very attractive, savory and one that emphasizes the uniqueness of the dish. Italian cuisine is full of interesting stories. Perhaps they are fictional, but that makes them no less attractive.Atomic wrote: ↑Mon Feb 08, 2021 1:31 amMeanwhile, back at the ranch, er, kitchen...
Once upon a time, and apprentice chef in Italy was learning about pasta from a master. The master's kitchen was well appointed, and the small restaurant it served was the first floor of the master's home. From time to time, the apprentice would be tasked to bring meals to the master's wife, upstairs on the 2d floor, and shuttle various items back and forth from the working kitchen to the apartment upstairs.
One warm, slow afternoon, the lunch crowd faded away, and the apprentice was told to take a salad upstairs. As usual, he went up the steps, not bothering to knock, and placed the salad on the table next to the wine and glass already there. He looked around to inform the Mrs. of the meal, but before he could speak, he noticed through an open door the lady of the house taking a nap on her bed - nude - and on her back.
Shocked, he quietly withdrew, and went back to work. He kept silent about the event, for he did not wish to embarrass the lady, nor anger the master chef. Still, the memory kept with him, and as a devout romantic, he had to do something to mark the event.
At last the day came when he had to prove his mastery to the chef, and his challenge was to make a new type of pasta. At once the idea came to him, on how to discretely memorialize the lovely sight he had that day, of a smooth, supple tummy bathed in afternoon sunlight through the window. He decided to celebrate her belly button!
And that's how Tortellini was invented.
From a mechanical and practical-woodworking angle, I'd personally rate it as "possible in theory, but very difficult in practice".Sgt. Howard wrote: ↑Tue Feb 09, 2021 6:19 pmHow hard would it be to use an incredibly straight grained wood where a split down the dead center would be pretty much a given? I am thinking in terms of carving space in the middle and creating a sword cane...
Dave wrote: ↑Tue Feb 16, 2021 8:09 pmFrom a mechanical and practical-woodworking angle, I'd personally rate it as "possible in theory, but very difficult in practice".Sgt. Howard wrote: ↑Tue Feb 09, 2021 6:19 pmHow hard would it be to use an incredibly straight grained wood where a split down the dead center would be pretty much a given? I am thinking in terms of carving space in the middle and creating a sword cane...
I think you'd find it difficult and expensive to find a piece of wood of the right length, which was strong enough around its outer perimeter to make a cane that you could put weight on, and also had a pith area which was straight enough and long enough to carve out to make a recess for a blade of a useful length. The juvenile wood (the pith and the first few annual growth rings) aren't strong, and the risk of splits or cracks traveling out into the next layers are quite high. It'd be embarrassing to lean on a cane, have it split and crack in the middle, and accidentally skewer one's foot to the floor.
Walking stick and canes made from "natural" wood (e.g. branches and saplings) don't have to be straight, and hence wouldn't work.
As I understand it, canes which are intended to be straight are probably cut from lumber from the tree's heartwood (well outside the pith), and then planed or turned or rasped to shape. This gives you clean, mostly-straight grain to start with (good for strength), and you don't need perfectly-straight grain anyhow (just long enough segments of grain that the side-grain adhesion gives them enough strength to lean on).
Then, there's the issue of keeping the handle on. Since you can't screw the handle into the shaft, you have to depend on the blade to hold the handle in place, and this means that the blade mustn't slip accidentally out of its recess, which probably means that you need some sort of friction blocks or recess-liner to provide the necessary friction. Not easy to do if you're trying to carve or bore a recess out of a pithy area of uncertain size and strength.
All of the practical and woodworking issues aside, there's the "why would you want to do this, given the legal issues" question. Sword canes qualify as "concealed deadly weapons" in most states, and it's usually not legal to carry them outside of private property. There are several states where they're simply illegal to own at all (California being one). Even if one were to use such a weapon in self-defense, one could expect to have to face some nasty questions from the police afterwards (and perhaps even prosecution).
In this modern era, if one needs this sort of self-defense, it seems more practical to me to study cane-fighting, and carry a proper cane or walking stick.
Yeah, that's sort of what I was envisioning as the best way to do it, mechanically and practically. The best I can suggest is to use a thin-kerf "valuable hardwood" blade to do the splitting, and then lightly joint the surfaces before milling. That would leave you with flush-flat gluing surfaces with minimal loss of wood and minimal disruption of the grain.Sgt. Howard wrote: ↑Wed Feb 17, 2021 12:21 amIn the past, I would start with an over-size oak dowel, ripsaw it down the middle and mill the slots from there- then glue it back together and lathe it round and tapered before I did the final fittings, stain & varnish. Usually the seam disruption is minimal, very hard to spot (use a light stain for best results). Just trying to see if there's a way to get a perfect match and hide the seam completely
I don't think I'd try . . . just try to keep the hole straight, bore it all the way through, probably by drilling it in a lathe, and then center up on the opening at each end and turn the outside to center on the inside.