zachariah wrote:
When she panic poited Jin they were in an embrace when they hit the floor in Monica's place. Monica grabbed Jin in mid poit to save them. So close physical contact does help. The only time she just poited people without contact was when Tina and Shelly were beating down on Nudge and Monica interrupted them. When angry she can just poit people. She also did it to Shelly and Bud when she dropped them nude in the middle of a mall. Again anger played a part in it.
Yes, but the second time (
http://wapsisquare.com/comic/crack-it-open/) they were stumbling drunk and on opposite sides of the mine. Although they end up in what looks like an embrace upon landing, I don't see how Monica would have had time to grab Jin. Especially with a huge explosion force between them. The embrace must have been a result of one landing on top of the other and not an initial embrace. In any event, it's not really important.
zachariah wrote:
3. She can hide extra income from the paranormal world in the sales from the store. This gives her a further layer of cover.
4. This business can be passed down to herself as she has to change identities. She's immortal now and has to think of things like that.
Why would she want to hide money from them? Also, they can easily know about the shop and how much she makes from it if they need to.
The handing down thing would be tricky. She can't shape shift, AFAWK. Other than to JG form that is. She could claim to be her own daughter I suppose, but she would still have to change her looks somewhat. Doing so for years would get old fast though. OTOH, I suppose everyone else who knows her would eventually die off, so she could pull it off several times.
oldmanmickey wrote:shadowinthelight wrote:oldmanmickey wrote:I could very well be wrong but i just figured they were time traveling. Isn't that the best and cheapest way to get artifacts, buy them new? Just poit back to June 1938, buy a dozen copies of action comics number 1 and they can all retire.
But then they won't hold up to testing on how old they are supposed to be and be declared fakes if they just bring them back. They would need to be stashed somewhere safe in the past and hope they are still there in the present for pickup.
go to the bank, get a lock box put them in it, come back present day say grandpa left me this lock box and viola problem solved.
If there were that many of those comics suddenly on the market, the cost of each would be driven way down. You would have to wait at least a year after the current one sold, then bring one on the market to get a high price. Then do it again years later. No get rich quick scheme there. And that's assuming they passed the age tests. Even a very well preserved comic would show certain signs of age. Of course, someone might say they upgraded the preservation method over the years so the copy would be in better shape than simple methods usually used and judging proper age could be more difficult.
Antiques would be even harder to do using a similar method (store them in some place you know will not be looked in for a long time). Americans consider "antique" to be from as late as the 40s or, these days, even the 50s.Thing is, they were going to Europe. It's my understanding that antiques in Europe start at around 300-400 years old. Something from the 40s is hardly broken in well yet and in common everyday use. It's also quite common for many to live in apartments and houses hundreds of years old. Housing costs are just ridiculous in Europe. They're rapidly getting that way in America as well. But I digress.